Δευτέρα 15 Αυγούστου 2016

RED LIKE BLOOD (2006)

ORIGINAL TITLE: Κόκκινο Σαν Αίμα
72 Min. - Thriller / Drama / Found Footage


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A young female reporter has the brilliant idea to create a fake video report on everyday crime, ranging from fights between couples that end with murder, friendships that end up ruined forever, incest, rape, to even drugs and accidental deaths. She finds a friend who is obsessed with his camera and asks him to do the mockumentary for her voluntarily. He agrees and both start recruiting amateur actors, friends and people who like the idea playing in front of the camera.

The first couple of stories look very fake and weird, until the girl in the second story has a nervous breakdown and almost kills the other actor in the scene with a real knife - who plays her brother in the story and constantly rapes her- probably because she had personal issues with a similar subject.

For the third story the cameraman does the editing by himself and it looks like a short movie, something that the female reporter doesn't find amusing. For the fourth story she doesn't even want to be around, cause it deals with drugs and needles. By the time they are ready to shoot the fifth and final story, both are very tired and want to finish up as fast as possible.

The two girls who "act" in the fifth story, are friends in real life, who had an issue with an ex-boyfriend, and the beef between them is resurrected during the filming process. They totally forget that the camera is there, the "victim" keeps pushing as part of her acting, and the other girl loses her temper to a point that she can no longer control herself...


HOW THE MOVIE WAS MADE AND HOW DANGEROUS IT WAS (SPOILER ALERT)

The movie took 2 years to shoot between 2002 and 2004, with some additional scenes in 2006. It was a movie project that started in 1999, but was never easy to take off the ground, because of the fact that it isn't the standard script or the typical movie. The idea behind it, was to find a way to re-create professional video footage by someone who has no idea of movies, he is just in love with his camera, he shoots anything for anyone just for the fun of it and he doesn't care about the shots that much, because he thinks he is a good editor. Trying to get into that guy's shoes, while trying your best as a film-maker creates a conflict. You try to stay focused and to imitate the common mistakes you see in other's people's videos, which is what you actually avoid as a film-maker.



The second great challenge was the actors. The first attempts were a failure and the lead female part of the reporter was given to two other actresses at first. After a number of screen tests, the first scene was shot with the one actress in full. The video footage still exists. It was clear that something was missing. So, the director went with his next choice and re-shot the full scene. That was it! She was perfect for the role. She understood the concept of being natural and authentic, she tried her best to get rid of any theater knowledge and experience, that always looks fake in movies. She was very involved until the end of the movie and she took important lessons about a different type of acting, very close to method acting, but totally dangerous for others.

The scenes of this movies were well planed, but the whole approach almost produced lethal accidents on set. The first story was smooth and the director took advantage of the fact that those two actors were in their first year of acting school and always over-acted. It was so perfect for a story that had to look fake. The reporter in the story supposedly had the brilliant idea to shoot it like it was happening in real time, but like ex machina appeared inside the house and interviewed them, while they were still "fighting". The whole concept is actually a spoof of the countless stupid reality shows, where everyone is talking to the camera about emotions and how they have felt at that particular moment. The "murder" went well, and the reporter wanted to make a great exit, as if she had captured a real crime on tape.


The second story was problematic. The actress was great, but nobody knew, she hadn't show how far she could go. The male actor wasn't good at all, so as part of the "fake" style of the story, the shooting was going great. Until the actress had to cry. She stopped speaking to the crew and the other actors, she cried her guts out and couldn't even breathe. She stayed in the role and went to the kitchen, she grabbed a real knife, almost cut herself badly and then she went to the guy's room. The director was shocked and took the risk instead of stopping the shooting. He asked from the actor to turn his back against the camera, so that he wouldn't see her face. The actress didn't act anymore, it was scary. She almost stabbed the guy twice for real and he had no idea what was going on, thinking everything was still OK.


Everything else went fine as planed until the final story. There are three girls inside the room. The one who starts the fight was an actress and was working in the Theater, while the other one had never acted in front of the camera, but was singing on stage from time to time. The shooting stopped after an hour, cause the "singer" lost her mind, she was shaking and was throwing stuff, she even managed to throw a bunch of keys to the refrigerator so hard, that the metal door almost broke in half. Nobody was sure if it was healthy to keep shooting. The word CUT was never heard on set, and that is one thing that cause actors to lose their control, to forget that the camera was there and to become really angry and vicious. So, this is somehow the closest you can get to a real found footage material. The moment in the end almost send everyone to jail, but the actress recovered and didn't press charges, the hit was real and if the brain was shattered she could end up dead.


The first cut of the movie in 2005 was originally 95 minutes. It was closer to a documentary that to a real movie. It was unbearable to watch, not because it was bad, but because it was more realistic than any other movie out there. After screenings, one thing was clear, people had no feelings afterwards, they couldn't decide if they love it or hate it.

The additional scenes in 2006 were created during September and November. The whole concept was to turn the original into a real movie, including narration to help the viewer understand the situations a little bit better, and also to include some other scenes that would make it more interesting to watch, like the whole concept in the very beginning with the "porn" shootings. The porn guys were trying to create a "snuff" porn video, and that is why the video with the fourth girl looks fake from time to time. The deal is that the situation went out of control and the team had to stop shooting for hours, because the girl wasn't an actress and she first thought that it was going to be a normal movie. The minute she got undressed and started having simulated sex with the two actors, the room got hot and the whole thing almost turned into a real porn shooting. She had no idea about the hidden knife behind the couch. The one guy (Nick Samaras) took it out and gave it to the other guy. The girl (Evelyn Sami) saw the knife for the first time and realized it wasn't a prop. She started screaming and shouting and she defended herself with everything she could. Those shots could never end up in the final cut, no matter how real they are. She wanted to go to the police and she couldn't calm down for hours. After convincing her that everyone was a professional, the remaining shots were not that powerful anymore, but they went smooth. The one guy almost lost his ear and got stabbed during the re-shooting of the scene, but it was only a flesh wound.


The lesson here is that if you push it too far, you can actually end up in jail. The movie looks weird and different because it was weird and different. The goal wasn't to create a snuff movie or a gory horror film, this is the only found footage movie that makes an extra step towards the unknown and was really dangerous to shoot, without any real stunts or SFX. The final scene could be a real murder and this is what murder actually looks like, it isn't fancy or cool, it is stupid and cheap and sometimes doesn't look real to the eyes of a viewer, simply because it doesn't look like a movie death. Death is silent and comes easily, especially when you push everyone to unknown territory, with no cuts or breaks in between. Improvisation with no cuts can make professional and amateur actors completely lose their minds!

Take a deeper look at this movie, it is not the movie you think it is, is had deeper meanings, it goes a step beyond normal movie-making and it explores the dark side of everyday life, how simple people can lose their lives, how stupid ideas can cause trouble. This movie can make you think and re-evaluate what movies are and how far people go for the love of the camera.





Παρασκευή 7 Μαρτίου 2008

Klonismos - Κλωνισμός 2004




Cloning Humans is a big deal...

A female clone from the future explains all the post-apocalyptic history of mankind, since 2003, the year when the first human clone was born. Cloning humans was banned because of a small budget film that showed all the consequences of cloning. She was part of that movie, she was the lead actress. The group who made the movie was somehow disappeared back in 2004, but their final movie managed to be given to public.
The movie was called "Planet Of The Clones", a sci-fi movie about an experiment of human cloning that failed. The scientists who made that experiment were sending the human "garbage" to a specific planet for a certain death. The deformed clones managed to survive and sent a message to the scientists about their revenge. If the movie was completed, it would have shown the damage that the clones would have made to the world.

The female clone who tells the story, also remembers what happened during those shooting days. Some uniformed commandos captured the whole group, threaten them to stop making that movie.

The girl obviously fails in remembering everything, and the viewer gets lost inside her mind. Suffering from memories that look real to her, she can't tell the difference between a memory and reality.

The movie remains snuff to it's end, with different kinds of shocks to the viewer, from showing the director shouting cut, to actually showing the reality in the film group's real life.

This movie is never shown to a cinema. Later this year, there will be a special release of this film, re-edited as "Clones". It will be a full length feature film, with all the missing footage and some really astonishing special effects. You can find the DVD of this original minutes edit in our shop. The special edition release of Clones will include the short film and also various other stuff from that MacabroFilms' summer...


Αχχχ, να κάτι που ακόμη μου δημιουργεί πολλά ποικίλα συναισθήματα. Αυτή η ταινία πέρασε όλα τα στάδια μιας κανονικής παραγωγής. Είχα δημιουργήσει μέχρι και storyboards για τις σκηνές της. Έγραψα για πρώτη φορά κανονική μουσική, έψαξα τρόπους να έχει καλή εικόνα, καλά εφέ. Η ταινία γυρίστηκε σε DVCAM χάρη στον Βαγγέλη Τρεμόπουλο, μόνιμο φίλο και συνεργάτη. Τα παιδιά που έπαιξαν έχουν τελειώσει πλέον τη σχολή υποκριτικής και εργάζονται ως ηθοποιοί. Η ταινία είναι η πρώτη καθαρόαιμη snuff απόπειρά μου και μια πολύπλοκη στιγμή έμπνευσης. Όταν έχεις ένα μεγάλο σενάριο, μια μεγάλη ιδέα και τη μικραίνεις όσο μπορείς για να τη φέρεις σε φυσιολογικά πλαίσια το αποτέλεσμα είναι περίεργο. Πόσο πια όταν ξέρεις με συνείδηση ότι αυτό που κάνεις δεν θα πείσει, και έτσι διαλέγεις να σοκάρεις με το να το γαμάς όρθιο. Αποφάσισα νωρίς να γαμήσω την ταινία κυριολεκτικά, να της αλλάξω τα φώτα ώστε εκεί που πας να τη χλευάσεις γιατί κοκορεύεται πως κάτι είναι ενώ δείχνει μπούρδες επιστημονικής φαντασίας, εκεί ξαφνικά τρως παπάρι (συγχωρέστε τα γαλλικά μου σε όλο το κείμενο) όταν ανακαλύπτεις πως αυτό που βλέπεις τόση ώρα ως νορμάλ ταινία είναι μια φτηνή fake μπούρδα που γύρισε ένα υποτειθέμενο συνεργείο. Όταν δεν έχεις πλέον τι να χλευάσεις στο έργο, τότε είσαι αβοήθητος. Εκεί η ταινία σε χαλιναγωγεί όπως γουστάρει.

Έχουμε συνηθίσει σε πολλές κιτς μπούρδες (όπως θιχτεί θα καταλάβει ότι μιλάω γι'αυτόν, όσοι δεν θιχτούν να κόψουν το ηλίθιο χαμόγελο) και όσο νομίζεις πως ο Κλωνισμός είναι άλλη μία τόσο πιο θύμα θα γίνεις. Είναι το πρώτο σκουλήκι του μυαλού που κατασκεύασα, από ανάγκη να κάνω μια σημαντική ιδέα που πηδιόταν αβοήθητη από τις καταστάσεις, να γίνει αξιοπρεπής και κακούργα και να επιβιώσει μοναχή της. Αν η ταινία αυτή σας γαμήσει το μυαλό τότε ο ανεξάρτητος κινηματογράφος θα έχει κάνει ένα σημαντικό βήμα σε αυτή τη χώρα. Αν όχι, τότε δείτε το Κόκκινο Σαν Αίμα και το Brutal.

Ο Κλωνισμός περιέχει πολύ υλικό που ίσως κάποιοι αναγνωρίσουν από snuff ιστοσελίδες. Ετοιμάζω μια πιο αισχρή έκδοση με τα πλάνα της ταινίας, χωρίς αυτό το υλικό, που μάλλον θα γίνει μεγάλου μήκους και θα διατεθεί στη σελίδα μου δωρεάν (έτσι για το γαμώτο), η οποία και θα αποδείξει πόσο καλή δουλειά θα μπορούσε να ήταν εξ'αρχής. Anyway, δείτε το αλλά μην το σταματήσετε, αλλιώς μην το δέιτε καθόλου...

Defeaning Silence - Εκκωφαντική Σιωπή 2003



This is not a MacabroFilm.

Shot, directed and edited by Philippos Halatsis, this is a movie made for a grade in a theatre school. It was shot at the same time with Zapping.

The script follows a group of young people who just have finished school at their last appointment for a long time to come. They decide to meet again all together in a 5-year time at the same place.

After these 5 years, a lot of things have changed for all of them. 2 of them committed suicide for different reasons, some succeed and many of them faced their own problems. Their meeting turns out to be a deliverance for each one them.

This is an aerie movie, based on the drama of the characters and the ugly situations of life. The script was written by Marianna Avramaki and the movie was created for this class's grade.


Η ταινία γυρίστηκε ταυτόχρονα με το Ζάπινγκ. Έκανα χάρη στο τρίτο έτος της δραματικής σχολής γυρίζοντας και μοντάρωντας το σενάριό τους για τις εξετάσεις στο μάθημα του κινηματογράφου. Ουσιαστικά σκηνοθέτησα την κάθε σκηνή. Το αποτέλεσμα έτεινε να γίνει σχεδόν η πρώτη MacabroFilms ταινία μου - σχεδόν. Έβαλα τη μουσική που πίστευα ότι ταιριάζει, έκανα κάποια αξιοπρεπή εφέ. Το αποτέλεσμα άρεσε υπερβολικά στη σχολή, όχι όμως και στην κοπέλα που έγραψε το σενάριο. Ειδικά το γεγονός ότι η ταινία έγινε πιο σκληρή από αυτό που φανταζόταν. Το αποτέλεσμα ήταν να θάψω την ταινία εντελώς και να μην μοιράσω σε κανέναν κανονική κόπια. Η ταινία βγαίνει ουσιαστικά για πρώτη φορά στον έξω κόσμο (ευτυχώς είχα και ανέπαφη κόπια) χωρίς αυτό βέβαια να σημαίνει κάτι, δεν θα αλλάξει και τη ζωή κανενός. Είναι αυτό που είναι και ακροβατεί μεταξύ κουλτουριάρικου θεάτρου και david-o lynch-o (όπως το άκουσα να τον λέει ένας γιαπωνέζος). Σπαταλήστε όσο χρόνο θεωρείτε απαραίτητο σε αυτό το έργο. Αν νιώσετε πως βαρύνατε αλλάξτε κανάλι. Από τότε πάντως δεν έχω ξαναδουλέψει σε σενάριο άλλου και αν το ξανακάνω θα γίνει με αυστηρές ρήτρες κωλοπετσοκώματος σε περίπτωση που δεν θα αρέσει το αποτέλεσμα. Anyway...

Zapping - Ζάπινγκ




This is not a MacabroFilm...

This isn't even scary. It's a parody. This is the first movie directed by Philippos Halatsis.
A clever spoof of greek television programs of 2003, this has a little bit of everything. Reality shows, advertisements, news reports, even Mexican dramatic series. This film works only if you live in Greece, but in general, this is the average silly television broadcast of every small country, specially before HDTV. The main character who watches everything is named Takis and is the average greek guy, who after returning from work, needs a good careless zapping.

This movie won an award for editing back in 2003. It was part of the theatre school and it was supposed to give a grade to each one of the 28 actors and actresses in it. They had to have talking parts and be on screen for about a minute. This was the only clever way to achieve that in a short movie. Shot almost entirely with green screen background, it still remains fresh and enjoyable.

Το Ζάπινγκ ήταν η πρώτη μου ταινία και όσο "παιδική" και αν είναι σε σχέση με τις επόμενες δουλειές, συνεχίζει και με διασκεδάζει και σήμερα, το ίδιο και όσους την βλέπουν. Θα ήταν καλύτερο να την είχα φορτώσει στο διαδίκτυο το 2003 που ήταν και επίκαιρη, ίσως να είχε ακουστεί ευρύτερα αν την είχε στηρίξει κάποιος. Πήρα ένα βραβείο για το μοντάζ, μία από τις ελάχιστες φορές που έχω στείλει ταινία σε φεστιβάλ γενικά. Από την ταινία απόκτησα μεγάλη εμπειρία προσπαθώντας να αφαιρέσω το πράσινο φόντο, να προσθέσω 3D γραφικά με το 3ds max και γενικά να αποδώσω κάτι που δεν είχα ιδέα πώς θα μπορούσε να γίνει. Δείτε τη και θα καταλάβετε.

Πέμπτη 6 Μαρτίου 2008

Vagina - Αιδοίο


Vagina 2007 - 34 min.


Pussy, we all come from Pussy...

A very "talented" actor and guitar teacher tries his luck in some movie and theater auditions with a self-contained monologue that he wrote. The play is called "Pussy". He knows everything about pussy. He studies hard the anatomy of the Vagina, the fabulous labia, the urethra and all the other parts of the pussy for a unique reason: He enjoys pussy. No, not that way...


He actually is a pussy-eater. A cannibal who can bring a woman to her knees by just licking the pussy and the clitoris to the big climax, when he offers an ultimate orgasm while he bites and eats the whole damn pussy...
A spoof on the way auditions are made, the anxiety of the young actors and actresses and the intrigue of listening to other people's secret kept creativity. A very "serious" comedy that goes beyond the limits, but somehow without offending almost anyone. A unique way of film making, watching an extreme subject but feeling like watching a family movie. You'll certainly enjoy this one...

Το Αιδοίο είναι η πρώτη καννιβαλίστικη κωμωδία της MacabroFilms. Την έφτιαξα ειδικά για την ιστοσελίδα μου, ώστε να μπορεί ο καθένας να τη βλέπει ελεύθερα. Το πείραμα πέτυχε και οι θεάσεις της ταινίας μετριούνται σε δεκάδες χιλιάδες και στην επίσημη ιστοσελίδα της MacabroFilms αλλά και στο πρώην Stage6 και πλέον σε VEOH και RapidShare.

Η ταινία ξεκίνησε ως ανέκδοτο και εξελίχθηκε σε κάτι πολύ αυθεντικό και πρωτότυπο. Όλο το έργο στηρίζεται πάνω στον Παναγιώτη Ξανθόπουλο που τολμάει να δοκιμάζει συνεχώς και δεν φοβάται να αντιμετωπίσει υποκριτικές προκλήσεις που δεν θα δοκίμαζε κανείς άλλος. Όταν ο ρόλος που παίζεις δεν σου δίνει καμιά δυνατότητα να αναδείξεις τον εαυτό σου με καλό τρόπο, τότε ο μέσος ηθοποιός δειλιάζει γιατί δεν έχει λόγο να μην δεν φανεί ωραίος και έξυπνος. Σε αντίθεση με τους ρολους που αγαπάω εγώ, αυτούς που θα σε έριχναν στον βούρκο και θα σε άφηναν να παλέψεις μόνος σου να μην πνιγείς. Δείτε την ταινία και νιώστε ενοχή, την ενοχή ότι βλέπετε κάτι αισχρό που έχει όμως την κινηματογραφική αθωότητα της Disney.

Night Of The Corpse - Η Νύχτα Του Πτώματος


NIGHT OF THE CORPSE 2005 - 11 min.



Four friends spend a night of watching zombie movies. After they split, the one girl drives blind, searching for her cell phone inside the car while driving. She hits by accident the one guy who walks home, but in the middle of nowhere she doesn't see a thing. Being scared, she drives back to the house.

The bleeding guy tries to get also to the house, to ask for their help. He bleeds all over this body. When he arrives in front of the house, he looks like a living dead to the others. They lock themselves inside the house. He hits the door like a maniac and the girls scream of fear. All those misunderstandings lead him to a real death.

The movie is a surreal parody of zombie movies, with similar music to the old Italian zombie films, and a mystery mood than can give you the creeps.

Running 11 minutes, this was shot in DVCam format, available in DVD through our shop. The DVD also includes some behind the scenes footage on how the movie was made.

Αυτή την ταινία τη γύρισα το 2005 με τη βοήθεια του Βαγγέλη Τρεμόπουλου σε μια βίλλα στον Τρίλοφο Θεσσαλονίκης. Η ταινία περιείχε πλάνα από 2 DVCAM κάμερες επαγγελματικής χρήσης και από μία φορητή mini-dv για τα πιο δύσκολα πλάνα. Στην ταινία έπαιξα τον βασικό ρόλο του θύματος που επιστρέφει στο σπίτι των φίλων του γεμάτος αίματα. Με βοήθησαν ο πατέρας μου και ο Θοδωρής Παπαδόπουλος ενώ τη δεύτερη κάμερα κρατούσε ο Σεραφείμ Ευστρατιάδης. Η ταινία έχει τις καλές τις στιγμές, καλή μουσική, και κάποια σημεία έξυπνης αφήγησης, είναι όμως αυτό που είναι χωρίς να υπερεκτιμά τον εαυτό της. Δείτε τη:



για όσους επιθυμούν να την κατεβάσουν από το RapidShare:
http://rapidshare.com/files/97402830/MacabroFilms_-_Night_Of_The_Corpse.avi

Τετάρτη 27 Ιουνίου 2007

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